What We Become 2015
What We Become 2015
A group of four is isolated in their home as a destructor strand of this season's cold virus spreads into town and they are compelled to the amazing to escape alive.
A to a great degree well-made blood and gore movie from Denmark, What We Become (unique title: Sorgenfri) looks at the stirring enthusiastic elements of an atomic family when they are set under amazing - some may even call it prophetically catastrophic - stress.
Mother Pernille (Mille Dinesen) and father Dino (Troels Lyby) live with their two kids in Sorgenfri, a verdant rural neighborhood only north of Copenhagen. While their most youthful, a young lady, is sweet and dutiful, Gustav (Benjamin Engell), their more seasoned youngster, is in the 'adolescent disobedience' time of his life; nothing vicious, simply upsetting. Be that as it may, even he is brightened up when he sees a lovely young lady about his age move in with her family close-by.
Other than these minor issues, what could turn out badly? It's mid year and the living is simple. And afterward everything starts to turn upside down. A secretive infection is in charge of two passings, and afterward rapidly starts to spread. The way of the infection is not uncovered, however TV reports demonstrate the administration is concerned. More odd things start to happen in Sorgenfri, and afterward the area is fixed off, and afterward the occupants are advised to stay inside.
And afterward any inhabitants who endeavor to escape are shot by the military strengths that have moved in. And after that equipped government specialists touch base to seal up all the houses, and afterward the nourishment supply starts to lessen, and essential administrations are cut off. And afterward the days and weeks pass by, and no cure is found for the secretive infection. Is the administration coming clean? What is being done to spare the general population who live in Sorgenfri?
Thriller veterans will sniff out the whole-world destroying danger at an opportune time and, honestly, not a lot about that risk is exceptionally new, however author/chief Bo Mikkelsen includes a couple brilliant new wrinkles to generally natural kind domain. Rather, what makes What We Become suggest a flavor like a some decent espresso is that the relatives are well-drawn people, and the on-screen characters convey bona fide exhibitions customized to those parts.
Thus, mother and father get along well, the mother upholding discipline and the father hovering over his girl. They're both attempting to practice persistence with Gustav, who has tired of their parental confinements. Both guardians need to appreciate a cheerful family life, while Gustav needs to break free and begin his own life. When he sees the dazzling new neighbor Sonja (Marie Hammer Boda), he gets further impulse to follow up on his own judgment.
Later, when things get crazier, in accordance with classification traditions, the story takes off taking into account the characters that have as of now been produced. That gives everything that happens a more noteworthy premise in the truth of the characters, bringing about more prominent strain, despite the fact that we think that humankind itself might be damned.
Mother Pernille (Mille Dinesen) and father Dino (Troels Lyby) live with their two kids in Sorgenfri, a verdant rural neighborhood only north of Copenhagen. While their most youthful, a young lady, is sweet and dutiful, Gustav (Benjamin Engell), their more seasoned youngster, is in the 'adolescent disobedience' time of his life; nothing vicious, simply upsetting. Be that as it may, even he is brightened up when he sees a lovely young lady about his age move in with her family close-by.
Other than these minor issues, what could turn out badly? It's mid year and the living is simple. And afterward everything starts to turn upside down. A secretive infection is in charge of two passings, and afterward rapidly starts to spread. The way of the infection is not uncovered, however TV reports demonstrate the administration is concerned. More odd things start to happen in Sorgenfri, and afterward the area is fixed off, and afterward the occupants are advised to stay inside.
And afterward any inhabitants who endeavor to escape are shot by the military strengths that have moved in. And after that equipped government specialists touch base to seal up all the houses, and afterward the nourishment supply starts to lessen, and essential administrations are cut off. And afterward the days and weeks pass by, and no cure is found for the secretive infection. Is the administration coming clean? What is being done to spare the general population who live in Sorgenfri?
Thriller veterans will sniff out the whole-world destroying danger at an opportune time and, honestly, not a lot about that risk is exceptionally new, however author/chief Bo Mikkelsen includes a couple brilliant new wrinkles to generally natural kind domain. Rather, what makes What We Become suggest a flavor like a some decent espresso is that the relatives are well-drawn people, and the on-screen characters convey bona fide exhibitions customized to those parts.
Thus, mother and father get along well, the mother upholding discipline and the father hovering over his girl. They're both attempting to practice persistence with Gustav, who has tired of their parental confinements. Both guardians need to appreciate a cheerful family life, while Gustav needs to break free and begin his own life. When he sees the dazzling new neighbor Sonja (Marie Hammer Boda), he gets further impulse to follow up on his own judgment.
Later, when things get crazier, in accordance with classification traditions, the story takes off taking into account the characters that have as of now been produced. That gives everything that happens a more noteworthy premise in the truth of the characters, bringing about more prominent strain, despite the fact that we think that humankind itself might be damned.
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